1
|musical reference, articulated memoir| 


Of music
an
—after diligent persuasion of specific emotional nuances

creating tone then tonal relapse supposition erratic 
range of musical inconsistencies.

Said
the mercy of tongue of horn then jazz relaying buzz and strum of smoky wings—

collocated theory of a Basquiat 

unyet determination 
s p a c i a l 
dichotomous venture of oiled ink, stained serenade
upon light’s organic angular dissemination.  



2
|syncopated sound, delivered methodology|


*

used
user
use of lost benevolence, maleficence mimesis anger’s operational
restructuring of the unthinker’s immobile brand of 

telekinetic absence

*

compromised rhythms  
relaying circular renditions of
relayed miscommunications
*

mistaken emblems
dusted porcelain coverings
skin of alabaster anecdotes, customized
renewal toward blatant bourgeois reflections of herded
condensation 



3
|ambulation|


Breaths of broken weaves
interwoven DNA  linearly launched
constructs fading

from the memorable decline of corporeal subjection

featuring the roam of burgeoning space

particular deconstructing mobility’s 

rejiggered spectrum  sickness or articulating health as movement’s

structural abstraction
radiant asterisk    designating theme as thematic failure
frequent as lies of the tongue’s subconscious relegated feature

found away from the quietus of night’s legitimate lineament



4
|nearness or, theory|


A thaumaturge’s hand of inoculated renewal 
an
absence
recast of picayune shadow, moribund diameter of death’s
inexistence, gray gray.  Mirrors
resemble populated smiles

curtailing missions of avant-garde specifics; terms teem
dilute of the eventual unlacing similes

gradated then   guarded as
moments of youth whose worries become

focal attributes of life’s later inebriations. 



5
|of resuscitation|


Sacred moments create articles of diligent
realization upon the mind’s indwelling of
modular interpretations.  Raise and reclaim
the body-bent ornamentation of placid
reformation; of roles the tongue rolls 
mentioning hope and reliant moisture of its
myopic, misused foundational faculty.  



6
|then listen, then reinvent|


Voice, muscular blue  progressed hand-first  birth
relic naturalized opinions  obtaining specialized
revisions of
rotating 
phonations.  Voluminous
whose speech    predetermines
use of useless ideological 
variants, compose
incessant avaritia of tonal manipulation.  



7
|abbreviation|


Removable hand’s singular extraction 
proclamation
roam
return
as the childhood recalculation of adulthood’s 
seismic hankering: 

youth

suspended judgment     dialectical formation against

strange
momentum of age’s allegorical
imprisonment

casting childness 
into vagabond attribute of ataraxia’s fulcrum of non-return.  



8
|segmental thoughts|


Bridge abandoned______________

excavated exclamations____________.



Personal theories
abstained from
the hearsay
ornamenting
listening wanderers’

fashionable monuments of

decorative oblivious________:

empty

renown

______,  sedentary circles of narcissistic premonitions; gradated________


promissory distinctions
dominant composure of ________

after-thinking nonsense.  



9
|dream or, serialized movement|


night of exaltation

exhaled light
aggravated, shedding distinctive movement of alliterative

shadow

of salve
slipping
silvery
skin of momentary recognition

patterned scales of aquatic species

delineating sound from murmured spectrum
organized fathoms of desired occultation.  



10
|hands|


Their music
persuade wings to

multiply compulsive pulses
brand
angled
tangles of light’s primitive function 

purple-in oblique  complied abstract

fevers’ friction
fractioned
by the whole worry of misplacing touch touch, —touch

imprinting lined spines of curved indentation

human song compiling pathos’ 

organic derivative 
from 
plasticized desensitization or

sporadic conclusions of death’s movement      divagation.



11
|scent|


Value-context, sporadic defiance  empirical nonchalance of

aggregated fundaments 
pertaining to the silent
gauge of sense’s optimal desire.  Speck that detritus fulcrum

enter-outward

becoming as sand
molded by architectural hands
hovering
from the wet dig of fingering 

emblems



12
|death|


first appeared quiet

dangling
stagnant
silhouette of a familial congregation:      tributary 
tallest of focal awareness

elder skin
washed from elementary softness

now

of solid mesh
articulating hold of hardened years

combining thrust and fissures of final 

confinement:  shadow
yields
looks toward mirror of exacting numerical chaos—



endured



13
|counter|


donation theory


inundated plagiarism, kindness
collecting calls of tongued   mastery

self’s deceptive collaboration

reliant
organized display of

jejune mathematics



14
|isolated ponder|


attracted

silk of spider’s slung
pathos
wandering awaiting upon wind’s whispered inclination

callous 

cold or cylindrical manifest

crucial harvest shape of spatial 

angles
hands awaiting mosaic conjecture, breath of broken
volition 
partaking inhibited value of life’s virtuous, nonchalant ideological

salience 



15
|brother, home|


I
awaiting genetic camaraderie
at home of otherness, familial entourage caring
for the four-year empirical momentum of my innocent 


vantage.  He

warm from after-burgeon, momentum akin
coiled release of hibernating guile of 

vivid portrayal—

we a
tandem of childhood fellowship and

depiction of erupting aggregates of emotional philosophy.   



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Dedication

for Gabriela

Author's Acknowledgments

I would like to thank the editor of Otoliths for accepting some of the poems presented here for publication.

Contents

|musical reference, articulated memoir|
|syncopated sound, delivered methodology|
|ambulation|
|nearness or, theory|
|of resuscitation|
|then listen, then reinvent|
|abbreviation|
|segmental thoughts|
|dream or, serialized movement|
|hands|
|scent|
|death|
|counter|
|isolated ponder|
|brother, home|

Author’s Note

These poems represent responses to an aggregation of prior moments, committed to the faculty of etching, dispersing, splaying renditions of recalling echoes, transferred from temporal designations, into the interpretive device of abrupt evaluation.

About the Author

Felino A. Soriano (b. 1974) is a case manager and advocate for adults with developmental and physical disabilities. In 2010, he was chosen for the Gertrude Stein "rose" prize for creativity in poetry from Wilderness House Literary Review. Philosophical studies collocated with his connection to various idioms of jazz explains motivation for poetic occurrences. For information, including his 44 print and electronic collections of poetry, over 2,800 published poems, interviews, and editorships, please visit his website: www.felinoasoriano.info.

Notice of Copyright

The original material comprising Recollections by Felino Soriano is copyrighted 2011 by the author. First Edition. No original material may be copied or reused without the permission of the author. Title image "52nd Street, New York City, July 1948" by William P. Gottlieb is in the public domain. A Books on Blog™ publication issued July 2011 by The Camel Saloon.